Can you believe it’s been 20 years since the shiny
guitar-driven nugget that is The Wedding Present’s Watusi landed with a crash
into the drawers of our collective CD players? Two decades on it’s lost none of
its considerable lustre and if you love it like I do, or even think you might,
then you’re in luck because David Gedge and the gang have decided to tour the
country playing the aforementioned album to eager crowds in its full 1994
entirety.
In anticipation of the band’s gig at The Cluny on
10 November we chatted to David about longevity, reissues, musical heroes and,
of course, Watusi.
I started by asking David whether, given the
impending Watusi tour and the reissue programme of Wedding Present albums, he
had any inkling in the early days that he’d be an artist who enjoyed this
kind of longevity
“It’s kind of a difficult question to answer
because on the one hand no, I definitely didn’t, I never really planned more
than the next 6 months so even when we started we never really had a long-term
plan to do loads of tours and albums and carry on for thirty years, but at the
same time, if I’m honest with you I’ve kind of always had nothing else that I
wanted to do, kind of growing up from an early age I’ve always been obsessed
with music and wanted to be in bands or be a DJ or something. I’m kind of
driven to do this. It’s like any other thing, you can’t imagine yourself in 30
years, you just concentrate on what you’re doing at the time. I’ve always been obsessed with music and wanted to
be in bands or be a DJ or something. I’m kind of driven to do this."
David explained that he’d recently given the album
a run through at his ‘At the edge of the sea’ festival in Brighton, so I
cheekily asked if he’d had to re-learn any of the tracks.
“Oh, Yeah,” (he chuckles) “I don’t really play my
LPs. It’s kind of a weird thing, once you’ve done it you move on to the next
thing. When we come to actually play something like this live we generally have
to go back and try and work out what we did really, because it’s not written
down or anything, there’s the odd note but it’s generally trying to piece it
together from memory. It’s a funny thing to go back and re-analyze something
from 20 years ago with a new line-up. It’s fascinating to be honest and it’s
quite good fun.”
I ask David if he could see one artist play one of
their albums live, who and what he would choose.
After a very deep breath, he responds “Blimey, there’s a question. While you’re asking I’ve already thought of three. One that would never happen now obviously is The Velvet Underground playing what’s actually a live album, The Velvet Underground 1969 Live, which is definitely my favourite live album of all time. I would definitely like to have seen that. Of studio albums I was definitely thinking of The Pixies’ Surfer Rosa or My Bloody Valentine playing Loveless.”
When I ask about influences, David goes on to tell
me “In some ways I try not to be influenced, I never wanted to sound like any
other artist. I don’t mind people who sound like other bands but I wanted The
Wedding Present to have a unique sound really. Having said that, obviously
everyone is influenced, so guitar bands from the ‘60s onwards really, starting
with The Beatles, going through glam rock and punk and then I love The Velvet
Underground and bands like that. The same as everyone else really, New Order,
Pixies, Sonic Youth. I’d say my background is definitely guitar bands. And
probably John Peel was my greatest influence, I used to listen to that
programme all the time from being about 16 onwards all the way through school
and university and being in a band myself. I think my main influence was the
stuff that he used to play on the radio. Somebody said that we were very
fortunate that John Peel liked the band and obviously I did feel very fortunate
and I felt flattered, but at the same time I think it was a foregone conclusion
because I knew we were going to be a John Peel band because of the fact that I
absorbed all that stuff that he was giving me. That became The Wedding Present
and we slotted in to that sort of band really. It would have been very
disappointing had he not liked us.”
"I try not to be influenced, I never wanted to sound
like any other artist. I don’t mind people who sound like other bands but I
wanted The Wedding Present to have a unique sound."
When I turn thoughts back to the forthcoming Cluny
gig, David explains that his only previous visit to the venue had been as a
compere for a tour showcasing new bands. “I remember thinking at the time,
great venue actually, nice kind of intimate size. It’s got the production
values, a good PA and the lights, seemed like a really good place to play and
at the same time it wasn’t too big. I’m really looking forward to playing there
actually.”
Originally published by NE:MM (nemm.org.uk)
Originally published by NE:MM (nemm.org.uk)
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